Looking down the Thames from Millennium Bridge. Tower Bridge in distance; at right, the Shard. |
Hence, the City boasts “the Gherkin” (The
Swiss Re building, 30 St. Mary Axe; 2003, Foster + Partners, Arch.); “the GlassOnion” (London City Hall; 2000-2002, Foster + Partners, Arch.); and “the Shard” (Shard London Bridge; 2000
– present, Renzo Piano Building Workshop, Arch.), now nearing completion.
Also in the works are speculative
commercial buildings like the “CheeseGrater” (122 Leadenhall Street, Rogers Stirk Harbour + Partners, Arch.); the “Walkie Talkie Building” (20
Fenchurch Street; Rafael Viñoly Architects); and,
the “Can
of Ham” (60 - 70 St Mary Axe, Foggo
Associates, Arch.), sited fittingly near the
Gherkin. During the economic downturn following 2008, these last three were reported
to have been on hold, but recently there has been talk of construction
activities beginning again.
This
is just a small sampling of London’s “iconic” contemporary buildings (as
opposed to its iconic historic buildings, like Westminster, Buckingham Place, and the Tower of
London, for instance). Rafael Viñoly, Renzo Piano, and the extremely
prolific Sir Norman Foster are among the internationally-known
“starchitects” who, over the past 10 years, have catapulted London’s
formerly low-profile cityscape into the company of the world’s skyscraper cities.
The city owes much of this
construction boom to Ken Livingston, the maverick Mayor of London from 2000 to
2008, who actively promoted a “tall building strategy,” beginning with his
October 2000 statement:
“I support high buildings, both as clusters
(such as in the City, Canary Wharf and Croydon), and as stand-alone buildings
(such as the Post Office Tower and Millbank Tower), where they are in close
proximity to major public transport interchanges and contribute to the quality
of London’s environment. I have no objection in principle to London having the
tallest of buildings.” (2001 Interim Strategic Plan: 3).
By 2008, there were some 20
buildings more than 300 feet high in the works, including some, like the
Gherkin, which had already been built. But by then, Livingston’s building
policy was being hotly debated in all quarters: planners, architects, and
heritage societies all weighed in with pros and cons.
And for good cause.
A Changing City
In May, I returned to London with
a friend after a 25-year hiatus. The last time I was there, Southwark – the
district on the southern bank of the Thames - looked a bit sketchy. The
attractions that today draw people over to the south bank of the river did not
exist. Shakespeare’s Globe Theatre (1990 – 1997) was just in the planning
stages; the Bankside Power Station (ca. 1950; 1963), which now houses the Tate
Modern museum, had been vacant for some 6 years; and the Millennium Bridge
between St. Paul’s Cathedral and the Tate would not be completed until 2000.
Southwark had been a major target for German bombs during the Blitz; it was
still pretty grim in 1987.
The Millennium Bridge over the Thames River (2000; Foster+Partners, Arch., with Sir Anthony Caro and Ove Arup + Partners) |
The Tower of London Site
England’s first Norman
king, William the Conqueror, began construction of the White Tower around 1070. The site he chose was
high ground on the north bank of the Thames, which offered strategic sightlines
along the river. The White Tower was completed some 30 years later, and over the centuries, the
layout of the Tower evolved to include many more ancillary structures,
including an arsenal, guardhouses, royal residences, a chapel – all surrounded by a
double ring of fortified stone walls. Today it comprises some 18 acres,
including the moat.
The Tower was set apart from the city fabric by open land known as “the
Liberties,” a defensive space over which the Tower exercised sole jurisdiction.
Over the centuries, buildings have occasionally encroached within the Liberties,
but the current building lines approximately follow its historic boundaries. The
boundary stones still remain and every three years the Beefeaters ceremoniously
mark them by “Beating the Bounds” with whips. The tradition lives, in spite of the fact that
the Liberties passed to the Metropolitan Borough of Stepney (now the Borough of
Tower Hamlets) at the end of the 19th Century. The Liberties provide breathing room that separates the Tower from the surrounding city, enhancing
its prominence.
In the area of "the Liberties," with the Tower of London at left. At right, London City Hall (2002, Foster + Partners, Architects). |
In 1988, United Nations Educational, Scientific, and Cultural Organization’s (UNESCO)
World Heritage Committee (WHC) inscribed the Tower of London in the list of
World Heritage Sites.
From the very first, UNESCO voiced concerns that the
Tower of London is being compromised by surrounding development, expressing
“regret” over the lack of sensitivity shown by the approval of the 1973 Tower
Hotel – an enormous Brutalist pile - just north of the site.
In 2006, UNESCO threated to put the Tower of London on its “endangered” list after the approval of the 1016-foot “Shard of Glass.” A news article reported that the WHC noted that “local planners had not done enough to ensure that views of and from the fortress would not be obstructed by surrounding development (Satter,USAToday, 1/8/2007).
In 2006, UNESCO threated to put the Tower of London on its “endangered” list after the approval of the 1016-foot “Shard of Glass.” A news article reported that the WHC noted that “local planners had not done enough to ensure that views of and from the fortress would not be obstructed by surrounding development (Satter,USAToday, 1/8/2007).
Core of the "Walkie Talkie Building" rising above the Chapel Royal of St. Peter ad Vincula within the Tower of London, looking NW. |
Experiencing the Tower Today
When you emerge from the
Tower Hill Tube station, your first view of the Tower is the Waterloo Block,
home of the Crown Jewels, rising above the Tower’s north walls. So far, so good.
Just outside the station, there is a small
park with an orientation panel that identifies the buildings you can see to the
west of the Tower: a 14th C. church with 17th C. alterations, rebuilt after WW2; a 1926
memorial by Sir Edwin Lutyens; a 4-story limestone office block (1926); and a 9-story
steel and glass commercial building, with a 6-story glass curtain that creates
an inner courtyard. This is Tower Place (2002, Foster + Partners, Arch.), also
designers of the Gherkin.
The Waterloo Block, Tower of London from Tower Hill, looking S. |
View from Tower Hill, with the Mercantile Marine Memorial (1926) in foreground, the All Hallows Barking church (14th and 17th C.), with Tower Place in background left (2002). |
Tower Place aroused the
first ripples of unease. I began to tick through the
U.S. Secretary of the Interior’s Standards for the Treatment of Historic Properties on compatibility that govern my U.S. projects
involving new construction and historic buildings – an occupational hazard, I’m
afraid. Actually, I grudgingly gave Tower Place better marks than my first
impression would have allowed. It was contemporary, yes, with a curvilinear
roof profile, and it was larger in scale than the surrounding buildings. But
overall, its negative effects on the historic site were mitigated by the
regular rhythm of the façade facing the Tower. Even the glass curtain seemed
relatively neutral to the Tower – it was angled away from the Tower site and
softened the effect of the irregular building footprint on the interior, which
would have been more attention grabbing, perhaps, than the curtain. Of course,
I could also be doing some mental gymnastics to try to justify this scale of
building so close to a World Heritage Site.
The Shard and Tower Place at right. Tower of London's Middle Tower at left, with moat at lower left. |
However, there was no
waffling on the question of compatibility when we walked down the Tower’s
western wall and looked toward the Thames. There, stomping their concrete
footings for attention, were the globular London City Hall and the towering
“Shard of Glass,” now nearing completion. There was no escaping them. There was
no ignoring them. They were not only visible; you could not take your eyes off
them. This flew in the face of anything I had ever learned about appropriate
context for historic sites. OK, they were across the river, but their shapes
were so eccentric, their scale was so overly large, that there was no
pretending that they were part of a neutral urban backdrop.
The Shard (at right) and London City Hall (background) visible from inside the Tower of London site. |
There was no escaping these
visual intrusions after you entered the site, either. They remained clearly
visible from many vantage points, thus destroying any chance the visitor might
have to “suspend disbelief,” no matter how many character actors in 17th
C. costumes there are, dueling or plucking chickens. I left the Tower with a
sense of dismay. I had grown accustomed to American development prowess and the toll it took on our more recent historic sites. But London, the UK – champions of
centuries of English heritage and tradition – how could they let this happen?
Rock, Paper, Shard….
The controversy over the amount
and scale of tall buildings near its historic core has grown in volume and number
of supporters on both sides. Most local planning hearings now receive testimony
from English Heritage and the National Trust. Other voices decry what they perceive as a preference
to remain architecturally stagnant. Prince Charles, sometimes through his organization, The
Prince's Foundation for Building Community, continues to weigh in against
modernist architecture, reprising, in a gentler manner, his “carbuncle” speech
of 1984.
Apparently, London is getting the
message. UNESCO’s concerns in 2006 focused on not only the adverse impacts of
Mayor Livingston’s tall building development strategy on the visual integrity
of the Tower, but also on the fact that there were substantial “gaps in
national legislation and local regulations relating to the protection of World
Heritage sites, as there were inadequate guidelines and no impact assessment
tools available for new urban development in Greater London.” (See UNESCO/ WHC, Mission Report: Tower of London, United Kingdom of Great Britain and Northern
Ireland)(C488) etc., issued June 2012).
At its June 2012 session, UNESCO noted that much
progress had been made to address these concerns. On a national level, the
National Planning Policy Framework (NPPF) that trims back some of the maze of
planning policies to a more coherent structure was issued in final form in
March 2012. At the local level, Boris Johnson, the current Mayor of
London, issued his new master planning document in July 2011. The London Plan 2011 –
Spatial Development Strategy for Greater London replaces Ken Livingston’s
2001 plan and emphasizes sustainability and preservation of historic areas:
Development
should not cause adverse impacts on World Heritage Sites or their settings
(including any buffer zone). In particular, it should not compromise a viewer’s
ability to appreciate its Outstanding Universal Value, integrity, authenticity
or significance. In considering planning applications, appropriate weight
should be given to implementing the provisions of the World Heritage Site
Management Plans. [The London Plan
2011, Policy 7.10: “Planning Decisions.”]
Further, it defines “settings,”
which are critical to assessing effects:
“Setting is the surroundings in which an
asset is experienced. Its extent is not fixed and may change as the asset and
its surroundings evolve. Elements of a setting may make a positive or negative
contribution to the significance of an asset, may affect the ability to
appreciate that significance or may be neutral.”
In March 2012, the Greater London
Authority issued its London’s World Heritage Sites – Guidance
on Settings: Supplementary Planning Guidance, which developed concepts of
Strategic Views, Protected Vistas, and Protected Silhouettes, and identifies
specific locations where “geometric protection” should be applied to strengthen
the protection and conservation of London’s World Heritage Sites.
London Plan Policy 7.10 (World
Heritage Sites) is the overarching policy for this SPG [Supplementary Plan
Guidance]. It states that development should not cause adverse impact on World
Heritage Sites or their settings and should not compromise the ability to
appreciate the Sites’ Outstanding Universal Value, integrity and authenticity.
It also requires LDFs [Local Development Frameworks] to contain policies that
protect the historic significance of the World Heritage Sites and enhance both
the sites and their settings.
Also since UNESCO’s 2006 statement, other important planning and historic
site management guidance has been developed by organizations such as English
Heritage, ICOMOS, Historic Royal Palaces, and the Tower of London World
Heritage Site Consultative Committee, whose 2010 Tower of London Local Setting Study is perhaps the most important.
In June 2012, in light of the
progress that had been made in developing a framework for how to assess impacts
of development and redevelopment on historic sites, UNESCO gave London a temporary
reprieve on “endangered” status for the Tower and Westminster. “For London’s
World Heritage sites,” it notes in its findings, “these tools come
unfortunately after the problem of visual degradation of the wider setting
emerged and irreparable damage to the visual integrity of both sites has
happened.” (UNESCO/WHC, Mission Report: 11.)
It noted that the past administration had some of the planning tools already at
hand, but “lacked the will” to use them.
In addition, the Committee
recommends that development in Southwark near the Shard be “tightly regulated
to avoid the further construction of tall buildings that could exceed the
height by which they would become visible above the on-site historic buildings
of the Tower complex. The development of more tall buildings that would become
visible would destroy the visual integrity and seriously damage the Tower’s
Outstanding Universal Value, possibly beyond repair.” (Mission Report: 12)
My Next Trip to London
The issues that confront a dynamic, historic city like London
are no different to those found in older cities elsewhere. My first
introduction to the now fully-blown controversy was in 1984, with Prince
Charles’s modernism-as-carbuncle speech to the Royal Institute of British
Architects. At the time, I thought it was a stuffy speech – rather short-sighted
and dripping with the arrogance of the Old Guard. I enjoy modern architecture –
particularly such exciting examples such as the Gherkin, the Glass Onion, and
the Shard.
Resources
Architects in this Article:
Foggo Associates.
Architect of 60-70 St. Mary Axe (a/k/a the “Can of Ham”), London UK (approved
2008). Official website: http://www.foggo.com
Foster + Partners, Sir
Norman Foster, Principal. Designer of Millennium Bridge (1996-2000) with co-architects
Sir Anthony Caro and Ove Arup + Partners; London City Hall (2000-2002); the
Swiss Re Building (a/k/a “The Gherkin”), 30 St. Mary Axe (2003); and Tower
Place (1992 – 2002), with Stanton Williams, co-architect; all four located in
London, UK. Official website. http://www.fosterandpartners.com/ accessed 29 June 2012.
Rafael Viñoly
Architects. Architect of 20 Fenchurch Street (a/k/a
the “Walkie Talkie” Building), London, UK (2008 – present). Official Website. http://www.rvapc.com accessed 29 June 2012.
Renzo Piano Building
Workshop. Architect of London Bridge Tower/Shard London Bridge (a/k/a “the
Shard”), Southwark, London, UK (2000 – present). Official Website. http://www.rpbw.com/ accessed 29 June 2012.
Rogers Stirk Harbour +
Partners, Architect of The Leadenhall Building, 122 Leadenhall Street,
London.URL: http://www.rsh-p.com/rshp_home accessed 30 June 2012.
Other Resources:
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Gray, Louise. “Prince of
Wales hits out at modern buildings as 'energy-guzzling glass boxes'.” The Daily Telegraph. 3 Feb 2012.
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Jenkins, Simon. “Boris Johnson and Ken Livingstone
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